三位破产的电影制作人因欺诈性众筹活动而自食恶果。

The outside world with its microbes and viruses is deadly for the boy Gosha. That's why he never left the hospital until the disappearance of Oni's only friend made him forget about the danger. The boy goes on an amazing journey through New Year's Moscow, and Valera, a wayward courier, helps him in this, in many ways an even bigger child than Gosha himself. Together they face a path that will forever change not only their lives, but also make Moscow a little kinder.

After taking care of his intrusive mother for years, Elie is relieved: she is cured. He can finally focus on his own life and falls in love… until his mom’s relapse. Now he has to take care of both the women in his life!

A man drops to his knees to give CPR to a stranger. But all is not what it seems. “It’s All Right, It’s OK” is the first short film from a triptych by Jim Cummings titled “Still Life.” Each of the films in the series was shot in one dramatic take.

A film essay about Brazil discovered through Orson Welles' eyes during the shooting of It's All True.

A raped women meets the authorities.

The plot is reminiscent of a fairy tale, when the husband goes sailing, and as a farewell, the wife ties a thread to his button so that she knows where her beloved is.

暂无剧情简介

It's All True is an unfinished Orson Welles feature film comprising three stories about Latin America. "My Friend Bonito" was supervised by Welles and directed by Norman Foster in Mexico in 1941. "Carnaval" (also known as "The Story of Samba") and "Jangadeiros" (also known as "Four Men on a Raft") were directed by Welles in Brazil in 1942. It was to have been Welles's third film for RKO Radio Pictures, after Citizen Kane (1941) and The Magnificent Ambersons (1942). The project was a co-production of RKO and the Office of the Coordinator of Inter-American Affairs that was later terminated by RKO.

This movie details the struggles of former Brooklyn Dodger catcher Roy Campanella to adapt to life in a wheelchair following his crippling automobile accident in 1959. Cinematographer Ted Voigtlander was Emmy-nominated.